

Ang kwentong ito ay Kalahating tokis.
Mga umaga non. Mula Highway ng malibay sakay ako sa jeep,...
storyland of stars
~mara l. pratt
1892
MERRY CHRISTMAS AND HAPPY NEW YEAR SIR JEZREEL FAITH MONTES! =)
After a long wait, I finally got my pamasko last Thursday 1/5/12 ,from my former...







by Sol Palakol, Lala Torres, Mots and Raffy Parcon, this is their version...
Kasali ako sa quiz bowl namin kanina sa school in preparation for the Intramurals this September at ang pinaka-last na tanong sa difficult...
My sister’s treat. Thanks for the Starbucks experience. (Taken with instagram)
Watching a youtube video on #ColtonDixon’s elimination on AI, I felt his heart and soul when he knelt down and sang Everything. He looked above and sought for his Everything. Clearly, he is grateful to his GOD who have been giving him grace and resilience all through these years. He was cut last season and didn’t make it to top 24. This year he had no plans of auditioning yet the judges urged him to. He was never in the bottom 3 until a bad romance stopped his idol journey. Winning the title wasn’t really for him. I believe he was on the show not to win but to show how God is his everything. Seeing him leaving the show has a poignant ache in my heart. I would miss a performer who always gives glory to his savior. I know its not the end of his journey. Like what his fans call him, he is The Messenger.
MERRY CHRISTMAS AND HAPPY NEW YEAR SIR JEZREEL FAITH MONTES! =)
After a long wait, I finally got my pamasko last Thursday 1/5/12 ,from my former eng1A and Eng1b mentor…
I thought it was only 10, but NO~ hahaha, t’was double zero… LIKE 100 load! YAAAAY! I only asked for 15pesos load but he gives me a 100 load. hahaha! THANK YOU SIR, I DIDN’T EXPECT IT. I’M SHOCKED WITH THE AMOUNT HAHAHA LOL. SO YEAH. THANK YOU SO MUCH SIR. :)
I have always been a fan of Gus Van Sant since I watched his Cannes masterpiece - Elephant. So, seeing a pirated DVD of his art in a local SM stall is a relief from a torrent downloaded 116hour ETA. The DVD costs P60.00. Without any hesitation, whether the copy is ”Blu Ray” or “Sine-copy”, I bought it.
Here is the DVD cover of that film.

Synopsis: The story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.
Sounds interesting right? However, after reading some critics and reviews, I was discouraged after reading the following lines, “However, just because his name is Gus Van Sant does not mean every movie he makes will be original and different; Restless is not. It is just plain vanilla and a waste of some major talent.”
My excitement turned low.

I’m still going to give this film a try. I might like the story, perhaps. :)

Mysterious Skin
by Don Jaucian and Jansen MusicoAng Sayaw ng Dalawang Kaliwang Paa (2011)
D: Alvin Yapan
S: Jean Garcia, Rocco Nacino, Paulo AvelinoTo dismiss Ang Sayaw ng Dalawang Kaliwang Paa (The Dance of Two Left Feet) solely as a gay film is to do it disservice. It is much more than that. It is a film that takes on gender roles and how dance and the little gestures that build it become a means of communication and sexual expression, and an exploration of the interplay between the people engaged in it.
Sayaw follows three individuals: Karen (Jean Garcia), a professor of literature who sidelines as a classical dance instructor, and her two students. The first is Marlon (Paulo Avelino), a well-to-do guy who enrolls himself in her dance class to get her attention, and the other is Dennis (Rocco Nacino), Karen’s apprentice who secretly teaches Marlon the dances on the side. Their stories are interwoven, each so carefully told and fused through words, form, and movement. Art binds the three. There are hardly ever overt displays of physical or verbal intimacy. It’s solely in the medium in which they scream their innermost longings.
The relationship between Marlon and Dennis isn’t overtly pronounced. Their glances and gestures, particularly during their dances, are charged with tension so sharp it slices the atmosphere between them. Marlon uses movement to express his longing for Dennis, how the kineticism of each touch, slide and grasp depicts his all consuming desire.
Karen emerges as their guide, an orchestrator who never imposes herself. She embodies the feminist poetry she teaches and merely aims to reveal what is naturally there, a hidden passion so palpable it gives weight to each step and stance of their performances. Though she might be subjected to the gazes of both Marlon and the audience, she averts them, by revealing herself as not an object of desire, but an independent subject driven by her own principles. There are moments in which Karen seems most vulnerable. Coincidentally both scenes occur in front of mirrors. Here the filmmakers effectively break any imposing gaze and reveal nothing but the characters themselves.
But more importantly, Sayaw deals with artistic pursuit and the state of artists in a third-world country. Set in the FEU campus, which is home to art deco architecture, the film perfectly melds poetry and dance into an everyday setting, questioning the place of art and its role in our lives. The film also centers on how the arts are taught in a country where such subjects are relegated to the sidelines.
If there’s an abundance of romanticism that happens in the film, it is mostly focused on poetry, dance, and art rather than the non-love affair between the two male leads. Dennis, Marlon, and Karen are transfigured into a means of conveying a love affair with the arts, lovingly enunciating each word in every poem, every turn and sleight of hand evoking a torrent of emotions any of them will never get to say.
Sayaw is a technically proficient film. The scenes are edited tightly and the dance sequences, choreographed by Eli Jacinto, are nicely shot, which is almost an achievement itself. The film resolves to be a ravishing waltz into the burning fires of desire; you can actually feel the anguish that each of the leads feel. Ultimately, Sayaw is a cultural triumph, highlighting the achievements of Filipinos in the poetry, architecture, and dance.
What is a Paraphilia?
Paraphilia is a medical or behavioral science term for what is also referred to as: sexual deviation, sexual anomaly, sexual perversion or a disorder of sexual preference. It is the repeated, intense sexual arousal to unconventional (socially deviant) stimuli.
Richard Von Krafft-Ebing, a German psychiatrist credited with formally introducing the study of Sexology as a psychiatric phenomenon, identified paraphilias first in his 1886 Psychopathia Sexualis (Sexual Psychopathy). This highly influential psychiatric text laid the groundwork for the development of research and treatment in this area that has taken place over the last century.
Paraphilias are currently recognized as one of the categories of Sexual and Gender Identity Disorders in the DSM-IV-TR
List of Paraphilias
Abasiophilia: love of (or sexual attraction to) people who use leg braces or other orthopaedic appliances
Acousticophilia: sexual arousal from certain sounds
Acrotomophilia: love of (or sexual attraction to) amputees
Agalmatophilia: sexual attraction to statues or mannequins or immobility
Algolagnia: sexual pleasure from pain
Amaurophilia: sexual arousal by a partner whom one is unable to see due to artificial means, such as being blindfolded or having sex in total darkness. (See: sensory deprivation)
Andromimetophilia: love of women dressed as men
Apodysophilia: desire to undress, see also nudism
Apotemnophilia: desire to have (or sexual arousal from having) a healthy appendage (limb, digit, or male genitals) amputated
Aquaphilia: arousal from water and/or in watery environments, including bathtubs or swimming pools
Aretifism: sexual attraction to people who are without footwear, in contrast to retifism
Asphyxiophilia: sexual attraction to asphyxia; also called breath control play; including autoerotic asphyxiation; see medical warnings
Autogynephilia: love of oneself as a woman (also see Blanchard, Bailey, and Lawrence theory for discussion on controversy)
Biastophilia: sexual pleasure from committing rape
Celebriphilia: pathological desire to have sex with a celebrity.
Coprophilia: sexual attraction to (or pleasure from) feces
Crush fetish: sexual arousal from seeing small creatures being crushed by members of the opposite sex, or being crushed oneself
Dacryphilia: sexual pleasure in eliciting tears from others or oneself
Dendrophilia: sexual attraction to trees and other large plants, popularized by the movie “Superstar” with Molly Shannon
Diaper fetishism: sexual arousal from diapers
Emetophilia (a.k.a. vomerophilia): sexual attraction to vomit
Ephebophilia (a.k.a. hebephilia): sexual attraction towards adolescents
Eproctophilia: sexual attraction to flatulence
Exhibitionism: sexual arousal through sexual behavior in view of third parties (also includes the recurrent urge or behavior to expose one’s genitals to an unsuspecting person, known as indecent exposure)
Faunoiphilia: sexual arousal from watching animals mate
Fetishism: is the use of non-sexual or nonliving objects or part of a person’s body to gain sexual excitement. Examples include:
Balloon fetishism — breast fetishism — foot fetishism (podophilia) — fur fetishism — leather fetishism — lipstick fetishism — medical fetishism — panty fetishism — robot fetishism — rubber fetishism — shoe fetishism — smoking fetishism — spandex fetishism — dental braces fetishism — transvestic fetishism
Frotteurism: sexual arousal from the recurrent urge or behavior of touching or rubbing against a nonconsenting person
Galactophilia: sexual attraction to human milk or lactating women (incorrect term)
Gerontophilia: sexual attraction towards the elderly
Haematophilia: sexual attraction involving blood (either on a sex partner/attractive person or the liquid itself; not to be confused with haemophilia, a genetic disorder of the blood)
Harpaxophilia: sexual arousal from being the victim of a robbery or burglary
Hematolagnia: sexual attraction to blood
Hybristophilia: sexual arousal to people who have committed crimes, in particular cruel or outrageous crimes
Infantilism: sexual pleasure from dressing, acting, or being treated as a baby
Katoptronophilia: sexual arousal from having sex in front of mirrors.
Klismaphilia: sexual pleasure from enemas
Lust murder: sexual arousal through committing murder
Macrophilia: sexual attraction to larger people and large things (including larger body organs such as breasts and genitalia)
Maiesiophilia: sexual attraction to childbirth or pregnant women
Masochism: is the recurrent urge or behavior of wanting to be humiliated, beaten, bound, or otherwise made to suffer
Microphilia: sexual attraction to smaller people and things of smaller size
Mysophilia: sexual attraction to soiled, dirty, foul or decaying material
Necrophilia: sexual attraction to corpses
Necrozoophilia: sexual attraction to the corpses or killings of animals (also known as necrobestiality)
Nepiophilia: the same as infantophilia sexual attraction to children between the age of 0 - 3 yrs.
Pedophilia: sexual attraction to prepubescent children (British spelling: paedophilia)
Phalloorchoalgolagnia: sexual arousal by the experiencing of painful stimuli being administered to the male genitals.
Pictophilia: sexual attraction to pictorial pornography/erotic art
Plushophilia: sexual attraction to stuffed toys or people in animal costume, such as theme park characters
Pyrophilia: sexual arousal through watching, setting, hearing/talking/fantasizing about fire
Retifism: sexual arousal from shoes
Sadism: sexual arousal from giving pain
Schediaphilia (aka Toonophilia): love (or sexual arousal) to cartoon characters/situations
Sitophilia: sexual arousal from food
Somnophilia: sexual arousal from sleeping or unconscious people
Spectrophilia: sexual attraction to ghosts
Telephone scatologia: being sexually aroused by making obscene telephone calls
Teratophilia: sexual attraction to deformed or monstrous people
Transformation fetish: sexual arousal from depictions of transformations of people into objects or other beings
Transvestic fetishism: is a sexual attraction towards the clothing of the opposite gender (also known as transvestitism)
Trichophilia: love (or sexual arousal) from hair
Urolagnia: sexual attraction to urine
Vorarephilia: sexual attraction to being eaten by, and/or eating, another person or creature
Voyeurism: sexual arousal through watching others having sex (also includes the recurrent urge or behavior to observe an unsuspecting person who is naked, disrobing or engaging in sexual activities, see peeping tom)
Xenophilia: sexual attraction to foreigners (in science fiction, can also mean sexual attraction to aliens)
Zoophilia: emotional or sexual attraction to animals
Zoosadism: the sexual enjoyment of causing pain and suffering to animals
Note: Sadism and masochism are often grouped together, under sadomasochism, or (as a lifestyle interest) BDSM.
So these are all the sexual “anomalies”. I have 8 of here I guess :D
(via jmbutido)
INSURGENT
Divergent 2nd book
can’t wait for this, next year pa ang release… kamusta na kaya sina Tris and Tobias? ano ang mangyayari sa kanila pagdating sa Amity compound?
One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.
Tris’s initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.
I am a fan of Leloy Claudio. Recently, I read his blog on student empowerment and democracy which I think, I, as a former student leader, have been challenged to the call of practicing student leadership in its quintessential political dynamo.
Student empowerment and democracy
by: Leloy Claudio
The Philippines is formally a democracy; citizens vote, and many government institutions have public accountability measures. But, as most political scientists will tell you, a healthy democracy needs more than democratic institutions. Beyond elections, public accountability mechanisms for public officials, and other formal measures, vibrant democracies require strong democratic cultures.
The ontological hurdle of definition notwithstanding, engineering this culture is a difficult long-term task, accomplished through changing mindsets rather than writing new rules. Democracy, if it is to be defined as a system of governance that allows citizens to exercise reasonable control over their own interests, requires an assertive citizenry capable of challenging authority when it encroaches on individual or group autonomy.
This disposition may strike some Filipinos as too combative, especially since many of us prefer to avoid conflict and espouse so-called “Asian values” like deference to authority and smooth interpersonal relationships. To engage in polemics, to play the gadfly, to speak truth to power, or simply to be different, disrupts a romanticized oneness.
In a society saturated of faux nationalisms manifested in polo shirts with images of a unified Philippine archipelago, “magkaisa” becomes an end in itself, neglecting how the unity myth breaks down once injustices reveal the necessity of consensus-breaking dissent. Fortunately or unfortunately, democracy is dangerous, and being a democratic agent requires guts. Passivity is antithetical to active citizenship (and this is more than a semantic point).
So how do we combat the cultural inertia that the powerful exploit to maintain numbing and boring homogeneity? Well, you target the young.
The first day my students enter my classroom in Ateneo de Manila, I tell them to help me run a “democratic classroom.” By this I simply mean a learning environment that encourages free thought and speech. So while, as a teacher, I still grade my students and exercise a reasonable degree of authority, I try not to draw attention to this power. For one thing, I’d rather my students call me “Leloy” than “sir.” More importantly, I encourage them to argue with their classmates and me. Some of them are initially hesitant to do so, fearing that disagreeing with the teacher leads to low grades. One of my main goals as a teacher is to dispel this notion, and, when I accomplish this, classroom discussions become fruitful. When I don’t, they become tedious.
I am by no means the an expert in pedagogical approaches, but my own experience makes me believe that students can learn more from a liberal education rather than one based on unnecessary hierarchies. Empowered students are active students, and active students are democratic agents. Unfortunately, our educational system is structured in a way that ensures student passivity. For instance, how can we expect students to participate in campus politics when administrations systematically disempower them?
Why do students rarely get seats in the highest decision making bodies of universities and colleges?
Democracy entails the representation of major stakeholders in decision-making bodies. It just doesn’t make sense for colleges and universities to privilege the voices of powerful businessmen over their own students.
And when students assert their rights, they become subject to repression. Some cases, such as that of Regina Mae Alog, student regent of the Pamantasan ng Lungsod ng Pasay, are blatant. Alog was dismissed without due process when she examined anomalies in the university budget.
Other acts of repression are more subtle and insidious. In Ateneo, purportedly one of the country’s more liberal educational institutions, the Office of Student Organizations (OSA) micromanages student organizations through a rigorous accreditation system that allows them to monitor everything including when student organizations can meet. How can students develop the skills necessary for responsible self-governance when the administration is constantly breathing down their necks?
When left to their own devices, university and college administrations insist on their untrammelled authority, and, in the case of private institutions, they use “private rights” and autonomy to justify the most abhorrent policies. This is what Don Bosco did when they once required students to take “masculinity tests” as an admission requirement.
We live in a culture that treats college and university students as children instead of citizens with rights. And while student groups in selected institutions may win occasional battles here and there, we need a broad framework that guarantees student rights nationally. Since what is at stake here is the formation of democratic agents, this is an area where the state should limit the powers of even private institutions.
The Students Rights and Welfare (STRAW) Bill proposed by Akbayan Representatives Walden Bello and Kaka Bag-ao does precisely this. The bill, apart from setting minimum rights and guarantees of students (e.g. the right to a free and financially independent student government) has targeted provisions that will prevent some of the abuses detailed above. The bill ensures student representation in the highest decision–making bodies of colleges and universities, it allows them to draft their own accreditation guidelines, and it ensures that school administrations grant students access to information to official records and documents.
It is about time for us to for us to recognize that institutions of higher learning should not be exempt from the democratic values that we should collectively espouse. If, at a young age, citizens do not understand that values of representation, autonomy, and rights, the Philippines will have all the formal democratic structures without the culture necessary to animate it.